Category Archives: Authors

2019 Writer’s Symposium by the Sea

One of the top journalists in Washington, a Christian poet, and a new voice in the Marvel Black Panther Universe – three writers with very different backgrounds and styles, all sharing their insight into the art of putting pen to paper. Join founder Dean Nelson as he welcomes E.J. Dionne, Christian Wiman and Nnedi Okorafor to the 2019 Writer’s Symposium by the Sea at Point Loma Nazarene University in San Diego.

Nnedi Okorafor (https://www.uctv.tv/shows/33945)

International award-winning novelist Nnedi Okorafor discusses her wide-ranging work, including Black Panther comic books, young adult fiction, and her novel “Who Fears Death” which is being made into an HBO series produced by George R.R. Martin of “Game of Thrones” fame. She delves into her unique upbringing, what sparked her interest in African-based science fiction, and how a surgery gone wrong played a pivotal role in her becoming an author.

E.J. Dionne (https://www.uctv.tv/shows/33946)

Veteran journalist E.J. Dionne has spent decades reporting on American politics. He worked at the New York Times before joining the Washington Post, where he writes a twice-weekly column. His books include the 1991 release, “Why Americans Hate Politics” and his most recent effort, “One Nation After Trump: A Guide for the Perplexed, the Disillusioned, the Desperate, and the Not-Yet Deported.” Dionne discusses the changing landscape of journalism and why it is more important now than ever to talk politics with those with whom we disagree.

Christian Wiman (https://www.uctv.tv/shows/33947)

The former editor of Poetry Magazine, Christian Wiman is both a poet and an essayist who teaches Literature and Religion at Yale Divinity School. Wiman discusses his books including, “He Held Radical Light: The Art of Faith, the Faith of Art,” and “My Bright Abyss.” He opens up about a three-year writing drought when he felt poetry was taken away from him and he was diagnosed with cancer. He explains how falling in love and a random visit to the corner church turned his life around.

Browse past seasons of Writer’s Symposium by the Sea to watch interviews with Joyce Carol Oates, Tracy Kidder, Billy Collins, Kareem Abdul-Jabbar, and more!

Browse more programs in Writer’s Symposium By The Sea

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An Evening With Luis Alberto Urrea

In many respects the life and work of Luis Alberto Urrea represent the fulfillment of the fabled American Dream. Born in Tijuana to an American mother and Mexican father, Urrea was raised in the Barrio Logan and Clairemont neighborhoods of San Diego. Often confined indoors because of poor health, the young Luis developed an avid interest in reading that was encouraged by his parents, though it didn’t occur to him then that he could be a professional writer.

As an undergraduate Urrea attended UC San Diego, which, in his words, “opened the door to a whole new world,” a world of Latin-American literature populated by Fuentes, Garcia Marquez, Borges, Llosa, Neruda, and others. Spurred on by their example, and encouraged by his professors and by noted author Ursula K. LeGuin, Urrea embarked on a prolific career as a writer. Indeed, not merely a writer but a true man of letters: poet, novelist, essayist, columnist, journalist, scholar, and educator.

Though not strictly autobiographical, much of Urrea’s work is inspired by his own experiences and those of his family. In the spirit of “write what you know,” he has often based characters on his relatives and other people he has encountered. Urrea is perhaps best known for his writings about the US-Mexico border region, but he points out that his true subject is not that physical border but “the borders that run between us, all of us.” Whatever his subjects or their source, Urrea’s work is marked by his distinctive voice, combining keen observation, rigorous research, fine attention to detail, an ear for the vernacular, a strong sense of social justice, a wry sense of humor, and, above all, a love for the real persons and invented characters about whom he writes.

While recounting his personal journey in his “Dinner in the Library” appearance, Urrea stresses the vital importance of education in shaping his worldview and guiding his career development. He believes that his work as an educator, currently as Professor of Creative Writing at the University of Illinois at Chicago, enables him to celebrate his social and literary legacy while hopefully serving as inspiration for new generations of aspiring writers. By encouraging his students to mine their own heritage for source material, Urrea honors those who supported him at key points in his life.

Watch An Evening with Luis Alberto Urrea – Dinner in the Library 2018

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Losing the Nobel Prize

When Alfred Nobel stipulated the creation of the Nobel Prize in 1895, the inventor of dynamite could hardly have guessed that the award – considered by many to be the world’s most prestigious honor – would often come at the expense of the very careers and the disciplines Nobel sought to promote. Per Nobel’s will the Prize is ostensibly awarded to those who “have conferred the greatest benefit on mankind,” but it has arguably fallen short of that commendable goal on several occasions.

In Losing the Nobel Prize, his provocative and incisive critique of the award, physicist and cosmologist Brian Keating addresses what he calls the Nobel’s “systematic biases,” noting that by its nature the Prize discourages communal efforts among scientists, and during its history has lauded such questionable pursuits as lobotomy and eugenics. Recipients have included Nazis and war criminals, but surprisingly few women. Upon reflection, perhaps not so surprising; Nobel’s will states that:

It is my express wish that in awarding the prizes no consideration whatever shall be given to the nationality of the candidates, so that the most worthy shall receive the prize, whether he be a Scandinavian or not. [Emphasis added]

Since its inception, only two women have been awarded the physics prize, and none in over fifty years.

Keating is uniquely equipped to offer a perspective on the Nobel Prize. He is the inventor of BICEP (Background Imaging of Cosmic Extragalactic Polarization), the most powerful cosmological telescope ever made, and co-leader of the team that conducted the BICEP2 experiments that lead to discovery of “the spark that ignited the Big Bang.” After much drama and debate that discovery was subsequently proven to be a cosmic mirage, but in the interim Keating found himself drawn into the headlong pursuit of the Nobel medal, encountering competitiveness, intrigue, and naked ambition along the way. The lessons Keating learned in losing the Nobel Prize serve as a cautionary tale about abandoning the collaborative spirit in pursuit of a near-unobtainable prize, but also as a prescription for radical, much-needed reform of the world’s most coveted award.

Following his talk Keating chats with David Brin, noted science fiction author and futurist, in a lively conversation about the nature of scientific enquiry, the merit of awarding scientific prizes, the importance of collaboration, the need for transparency, and the urgent need to improve communication between scientists, policy makers, and the general public. Above all, both men stress that those lessons learned by Keating and outlined in his book may ultimately prove to be more valuable than the prize itself.

Watch Losing the Nobel Prize with Brian Keating

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Micro-Fiction

Contributed by John Menier

32822In modern English, the word “amateur” is often used in a condescending or pejorative sense, which is unfortunate. It is a borrowed French word that derives from the Latin “amator,” meaning “lover.” Hence, the term amateur was originally applied to someone who does something purely for the love of it rather than for compensation and was not a comment on competency.

It is in the spirit of “for the love of it” that Scott Paulson, Exhibits & Events Coordinator for UC San Diego Library, solicited fantasy and science fiction pieces of no more than 250 words for a live reading. The inaugural event in an intended micro-fiction project, “Short Tales from the Mothership” was inspired by magazine editor George Hay. In the 1970s Hay challenged such well-known authors as Arthur C. Clarke and Isaac Asimov to submit stories for publication that could fit on a postcard. Following Hay’s example, Scott Paulson encouraged writers from the campus and San Diego communities to publicly showcase their short-short fiction. The stories presented that evening proved to be both diverse and diverting, encompassing a range of styles from comic and satirical to dystopian and experimental. All of the stories are evocative, and several of the works assumed the characteristics of poetry in their economy of language, their heightened descriptive imagery, and their attention to tone.

The result is a celebration of both micro-fiction as a distinct art form and the power of the spoken word – and yes, the joy of doing something for the love of it.

Watch Short Tales from the Mothership

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Ann Patchett

Contributed by John Menier

8232Listed by Time magazine as one of the world’s 100 most influential people in 2012, Ann Patchett is a true woman of letters: novelist, essayist, anthologist, and co-owner of Parnassus Books in Nashville. Patchett is also a frequent and accomplished public speaker, noted for her anecdotes about the literary life, her insights into the creative process, and her wry wit.

One of Patchett’s favorite topics is the ever-changing relationship between readers and books. As an example she cites her own evolution reading (and re-reading) the works of John Updike, Leo Tolstoy, Pearl Buck, Ta-Nehisi Coates, and others, noting that “the books don’t change, but we do.” Put another way, the reader’s evaluation of a particular book is shaped as much by the reader’s life experience and circumstances as by the work’s innate qualities. As such our appreciation (or lack thereof) for a particular title may change over time, but the consistent commonality among the books we treasure is that they never fail to evoke a strong response. Patchett believes the writer’s primary task is to elicit that response by inviting the reader to become an active participant in their story.

Patchett’s approach to the reading public is refreshingly un-elitist. She stresses the importance of what she calls “gateway drugs,” books of dubious literary worth that may encourage readers to explore other authors and genres. She applauds the success of “trashy” pop novels such as “Fifty Shades of Gray” and “Twilight,” no matter their pedigree, for their role in re-vitalizing book sales and energizing the publishing community. What matters most to Patchett as both author and bookstore owner is that the reading habit is fostered and encouraged, and in that endeavor, there’s no place for snobbery.

Click here to watch An Evening with Ann Patchett

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