He was the inspiration for the character of George Costanza’s childhood friend Lloyd Braun on “Seinfeld,” but there’s a lot more to the real-life Lloyd Braun than a punchline.
The UC Hastings Law School alum began his career as an entertainment lawyer, but eventually moved over to the creative side of the business. Since then he’s had a hand in developing some of the biggest hit shows in television history, including “Lost,” “Desperate Housewives,” “Grey’s Anatomy,” “Boston Legal,” and “The Sopranos.” In 2007, after a stint as head of Yahoo’s media group, Braun co-founded BermanBraun, an independent media company.
In the latest installment of “Legally Speaking,” from UC Hastings and California Lawyer, Braun speaks with Hastings Law School Dean Frank Wu about his career and the profound changes that are now rocking the entertainment industry.
Daniel Day Lewis brings Abraham Lincoln to life in Steven Spielberg’s “Lincoln,” but it’s not just history buffs and movie mavens who are celebrating the big event.
In this edition of our terrific “The Atlantic Meets the Pacific” series, Stacey Snider, co-chairman and CEO of DreamWorks Studios, joins James Fallows to talk about her role in helping to make the landmark film a reality, as well as her experiences bringing masterpieces like “The Help,” “Erin Brockovich,” “Brokeback Mountain” and “Philadelphia” to the big screen. Ms. Snider also speculates on the future of the film industry and reveals what she looks for in deciding to “greenlight” new productions.
This new series “All in the..Modern Family: Celebrating the Art and Impact of TV Comedy,” from UC Santa Barbara’s Carsey-Wolf Center — as in legendary TV producers Marcy Carsey (“The Cosby Show,” “Roseanne,” “3rd Rock from the Sun” to name a few) and Dick Wolf (“Law & Order” of every variety) — will make your casual TV watching feel like “research.”
The three-part series focuses on the powerful, constantly changing genre of television scripted comedies and lets you inside the writers’ room and the minds of TV’s most successful producers, plus commentary from journalists, scholars and more.
Check out the first episode, “Why We Need Scripted Comedies,” moderated by Howard Rosenberg, Pulitzer Prize-winning former television critic for the Los Angeles Times.