The Truth Needs Reinforcements

Journalism, Public Affairs, Public Policy, The UC Public Policy Channel, University of California, , , , ,

Maybe it has happened to you. You were talking to friends, or scrolling through Facebook when someone shares an outrageous political news story. You think, “that can’t be right.” After a quick check you confirm the story was actually fabricated by a click farm or satirical website. You might be able to set your friend straight, but what about the larger implications of living in a world where you can’t believe everything, if anything, you read or see.

David Barstow, the new head of UC Berkeley’s investigative journalism program, addressed the challenges facing truth during the Goldman School of Public Policy’s recent board of advisor’s dinner. Barstow examines attacks on the truth from several angles. There is the aforementioned rise of intentionally untruthful news. There is social media, granting anyone unfettered access to the masses. There are deepfakes, new technology allowing people to create increasingly convincing videos of politicians, celebrities and others saying whatever the creator wishes. And on top of it all, there is the rise of public relations firms putting pressure on the economically devastated journalism industry.

Barstow believes we are in a great contest between a world of truth and a kingdom of lies. He shows how investigative reporting can excavate truth from a mountain of deceit, from his work examining President Trump’s finances, to Ronin Farrow’s reporting on Harvey Weinstein. Now, the four-time Pulitzer Prize winner hopes to inspire a new generation of journalists.

Watch — The World of Truth vs. The Kingdom of Lies — Goldman School of Public Policy Board of Advisors Dinner Fall 2019

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Innovating Democracy

Politics, Public Affairs, Public Policy, The UC Public Policy Channel, University of California, , , , , , ,

What is the current state of American democracy, and what can be done to improve it? Three legal and political experts weighed in on those questions during a recent panel discussion at UC Berkeley.

Steve Silberstein is a member of National Popular Vote, a nonprofit that aims to work within the confines of the electoral college to ensure the presidential candidate who earns the most votes wins the presidency. Bertrall Ross teaches election law, constitutional law and legislation law at Berkeley Law. Steven Hayward is a senior resident scholar at Berkeleys Institute of Governmental Studies, and well-known conservative commentator.

The panel focuses on three key issues: voter participation, gerrymandering, and the electoral college. Silberstein begins by discussing the plan to switch to a national popular vote system without amending the constitution or passing congressional legislation. His group’s plan is to get states to agree to give all of their electoral votes to the national popular vote winner. The total of electoral votes would need to be at least 270 for the plan to effectively sidestep the electoral college. As of now, enough states have agreed to bring that total to 194 electoral votes.

Silberstein argues this would change the way presidential campaigns operate, and force candidates to focus on issues that matter to the entire country, not just voters in swing states. Hayward cautions that while that may be the intent, there will likely be some unintended consequences. Hayward urging caution before pushing reform emerges as a theme throughout the night as the panel discusses redistricting, campaign finance, and universal basic income.

Watch — Innovating Democracy: Key Issues for the 2020 Election and Beyond

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Imagining Prison Abolition

Black History, Graduate Lectures, Humanities, Law and Justice, Public Affairs, Race Issues, UC Berkeley, , , , , , , , ,

Imagine a world that is more just, laws that are more compassionate and people being freer.

Georgetown Law professor and author Paul Butler is very familiar with the U.S. criminal justice system. As a former prosecutor, he once fought for long sentences. Now he’s advocating for the abolition of prisons. While that sounds extreme, in this talk he explores what would replace prisons, how people who cause harm could be dealt with in the absence of incarceration, and why abolition would make everyone safer and our society more just.

Incarceration is a relatively recent development in the history of punishment, with the first modern prison constructed in Philadelphia in the early 1800s. The American penitentiary was intended as a reform, making the institution of punishment more humane and rehabilitative. Because the United States now locks up more people than almost any country in the history of the world, this nation is perhaps the best laboratory to assess the success of the experiment. By virtually any measure, prisons have not worked. They are sites of cruelty, dehumanization, and violence, as well as subordination by race, class, and gender. Prisons traumatize virtually all who come into contact with them. Is there a better way? He posits that 50% of the prison population could be released and we would feel no effect.

Butler frequently consults on issues of race and criminal justice. He feels the system is broken and advocates for non-violent drug offenders to receive treatment rather than punishment. Abolition of prison could be the ultimate reform. Butler is not saying there should be no consequences for criminality. He calls it gradual decarceration and looks at ways to accomplish the goals of prison more effectively.

Butler is a Professor in Law at Georgetown. His most recent book Chokehold: Policing Black Men, published in July 2017, was named one of the 50 best non-fiction books of 2017 by The Washington Post. The New York Times described Chokehold as the best book on criminal justice reform since The New Jim Crow. It was a finalist for the 2018 NAACP Image Award for best non-fiction.

Watch — Prison Abolition, and a Mule with Paul Butler

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Managing California’s Financial Future

California Issues, Climate Change, Economy/Labor Issues, Public Affairs, The UC Public Policy Channel, UC Berkeley, , , ,

California is the worlds fifth-largest economy. That makes State Treasurer Fiona Ma’s job quite complex. Her office handles everything from financing housing development to collecting cannabis sales tax. Recently, she sat down with Henry Brady, dean of the Goldman School of Public Policy at UC Berkeley, to discuss the financial challenges the state is facing.

Two of the biggest issues Ma is working on are inextricably intertwined: housing and transportation. As the state’s population grows, limited housing supplies are becoming more and more expensive, forcing workers farther from city centers, and snarling commutes. One of the potential solutions she suggests is public-private partnerships, like the Virgin Trains project that will eventually connect Los Angeles and Las Vegas.

During their conversation, Ma touches on a number of other issues impacting Californians. She covers a new law that will ensure local governments get sales tax from Amazon, the growing need for senior housing, a plan to help city governments stay on top of their finances, California’s controversial proposition 13, and much more.

Watch — Financial Policy and Sustainability with California State Treasurer Fiona Ma

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Creative Spirits

Arts and Music, Classical/Symphonic Music, Concerts and Performances, La Jolla Symphony & Chorus, UC San Diego, , , , , ,

La Jolla Symphony and Chorus is known for mixing favorites from the standard repertoire with the new, the unfamiliar, and the undeservedly overlooked. The November 2019 concert, the first of the 2019/2020 season, continues this tradition with works by Giaochino Rossini, Florence Price, and Bela Bartok.

Rossini’s Overture to William Tell (1829) is familiar to audience members of a certain age through its association with The Lone Ranger radio and TV series (“Return with us now to those thrilling days of yesteryear…”). Written for Rossini’s final opera, Guillaume Tell, the piece is essentially an instrumental suite in four parts. The last of these, marked Allegro vivace, is the most familiar section, and was written seven years earlier as a march for a military band. It’s the only part of the Overture (and its parent opera, rarely performed today) known to many people outside opera circles. Perpetual-motion violins, inspired brass and insistent percussion power this music to a galloping conclusion.

Florence Price’s Symphony No. 1 (1932) was the first work by an African-American woman to be performed by a major American symphony orchestra. It was a singular achievement that should have secured Price’s place in modern musical history, yet her work came perilously close to being forgotten altogether. We can thank the 2009 chance discovery in a ramshackle house of several Price scores previously thought lost that led to renewed interest in her work. Among the manuscripts were two violin concertos: Violin Concerto No.2, performed by La Jolla Symphony last season, and the First Violin Concerto, written in 1939 (exactly 70 years before its re-discovery) and presented in this program. This concerto is lyrical and traditional in form, with beautiful writing for both soloist and orchestra. Indeed, Price’s devotion to the traditional idiom may have contributed to her obscurity in an era that scorned such “old-fashioned” music. Hopefully, our contemporary eras renewed appreciation of those traditional forms bodes well for the music of Florence Price to at last find its audience.

The concert concludes with Bela Bartok’s Concerto for Orchestra (1943). The words “difficult,” “challenging,” and “uncompromising” are often applied to Bartok’s music, but not so this piece. The Concerto is a perennial favorite with conductors and audiences alike, and it’s easy to see why. The five movements move through a surprisingly broad range of emotions, from brooding to philosophical to playful to a final exultant rush of energy, with humorous moments yes, humor in Bartok – verging on the parodic. Bartok was terminally ill with leukemia during the Concerto’s composition, but he nevertheless referred to it as a “life assertion.” It is indeed that, and the final expression of an indomitable creative spirit.

Watch — Rossini, Price, Bartók – La Jolla Symphony & Chorus

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